A publication documenting the debut collection of fashion designer Kay. Through b&w photography and print . The project explores form, texture, and space. Shot on location at De Nollen. The project merges fashion and graphic design into a visual narrative.

An experimental publication exploring groove, club culture, and nightlife. Through print, archival material, and typography. The project is structured around an embedded 7” of Musique Non Stop by Kraftwerk, treating the record as both object and concept. Featuring references to clubs such as RoXY and Paradise Garage. The project translates sound, rhythm, and community into an editorial experience.

A branding identity developed for the vinyl record label Obi Trackz. Through ASCII art and creative coding. The project treats the visual language as a generative system rather than a set of static illustrations. A custom script was developed to produce multiple variations while maintaining consistency. The project merges graphic design and code, reflecting the label’s raw and minimal character.

A publication exploring the alien landscapes of the local dunes. Through high-contrast b&w photography and print. The project treats the familiar environment of home as another planet. Featuring a raw, radiated visual aesthetic and intentional material choices. The project merges environmental photography and physical form into a cohesive visual narrative.

A visual essay exploring Edmund Burke’s philosophical concept of the sublime. Through found footage, sound design, and montage. The project treats themes of danger and discomfort as a source of delightful horror. Featuring an AI-narrated framework interspersed with cinematic references such as Requiem for a Dream. The project merges philosophical theory and intense visual imagery into a visceral viewing experience.

Custom title design for Hatch, a video editorial directed by Daniel de Vries for LE MILE Magazine.